Client_王俨工作室

Design Guidance_Bosen

Designer_L·Chao

Photography_Halo小方

Time To Market_2021

湮灭

木头，生于火中、毁于火中，在火中重生。当事物被碳化重塑、被编上号码、被人们持有，这一系列的行为仿佛在为无数次循环做注解。

Poten
雕塑家王俨作品之一，这件作品由木材碳化而成，脱胎自一件球鞋收藏中具有代表性的AJ one。这双鞋背后有过关于乔丹与他的时代故事，成为球鞋收藏行为中传递的圣火，人们如同忠诚的信徒，用金钱与追逐将圣火高举。

字体设计由「湮灭」一词出发，打造消散的效果，直观呈现其本义“毁灭消失”，同时取意于电影「湮灭」反复出现的镭射画面，采用黑色纸张烫镭射黑。该产品从实用物品中抽离，将其碳塑之后呈现另一个物品的形态，同时保留鞋带与标签，模糊作品与物品的界限。

Annihilation
Wood is born in fire, destroyed in fire, and reborn in fire. When things are carbonized, reshaped, numbered, and held by people, this series of actions seems to be annotating countless cycles.

Poten
One of the works of sculptor Wang Yan, this work is made of carbonized wood and is derived from a representative AJ one in the sneaker collection. Behind this pair of shoes is a story about Jordan and his era, which has become the sacred fire passed in the sneaker collection behavior. People, like loyal believers, use money and pursuit to hold the sacred fire high.

The font design starts with the word "annihilation" to create a dissipated effect, intuitively presenting its original meaning of "destruction and disappearance", and at the same time takes the laser images that appear repeatedly in the movie "Annihilation", using black paper hot laser black. The product is extracted from practical items, and after carbon molding, it presents the form of another object, while retaining the shoelaces and labels, blurring the boundaries between the work and the object.